June 17


Peach- Peach pits are quite simple to grow. Using vice grips, the seeds can be cracked open to release the actual seed inside. I do not recommend using a hammer or knives to open the seeds. Hammers can damage the tender seed inside, while knives can be quite dangerous. Simply wash and dry the seeds after eating them, then use vice grips to crack them open. Afterwards, encase the seeds in a moist paper towel and put the towel in a sealed plastic bag. Keep the seeds inside the fridge for two to three weeks. Periodically check for molds.


After two to three weeks, the skin of the seeds should start to peel already and the seeds have begun germinating. Plant the seeds in a soil. Out of the twelve seeds I had, two have had the most growth. I recommend pinching the top of the seedlings in order to encourage the growth of branches. Do this once of twice, but not much more.

Plum- Plums can be planted the same way. There is no difference in the process. Although plum seeds are smaller and tend to split more easily. I also find that peaches tend to grow more aggressively than plums.

Plums and peaches can have spindly growth or simply not grow properly. I found that plums tend to do this more than peaches. I try to trim the unwanted growth out, change pots, and apply chemicals to no avail. I ended up weeding them out.

Cherry- Cherry can be planted the same way as peaches and plums. It is notable however that the seed inside the shell of cherries, also much like plums and peaches, have compounds which can turn to cyanide when swallowed. I’m not sure about the other fruits, but two or three crushed cherry pits can be quite deadly when eaten.

Cherry seeds grow fast then tend to stop and show no progress for a long time. I do not advice pinching the top of cherry seedling to encourage branch growth. Even as I wait for branch buds to grow on my seedlings, they are growing very slowly to the point of many of the leaves turning brown.

Apple- The moist paper towel technique can be done with apple seeds as well. Unlike the other drupes, apple seeds don’t need to be cracked open. They can just be placed in the moist paper towel and plastic back directly after washing. This time, they should not be kept inside the refrigerator but somewhere consistently warm, like behind the refrigerator. The seeds should be sprouting roots within two weeks.

Like cherry seeds, apple seeds can also be poisonous, but an average person needs to swallow over a hundred seeds in order to get close to a lethal dose. Apple seedlings tend to grow aggressively. Some leaves might have some rusting, but I find that most of my apple seedlings are growing healthily with no problems.

Persimmon- Persimmons are germinated the same way as apples. There is not need to crack the seeds or peel the skin. Simply place the plastic bag container in a warm place. I have read that they are difficult to germinate, but I have found it to be the opposite. Growing them from seeds is pretty straightforward.

Avocado- Avocado seeds are slow to germinate. They start growing roots and leaves when suspended halfway in a glass of water after four to six weeks. Simply wash avocado seeds, punch toothpicks into them to suspend them in water, then keep them somewhere sunny. While suspended, they tend to get slimy or moldy. Simply wipe the slime and the mold out and occasionally change the water.

After six weeks, plant the avocado seedlings. Some recommend pinching the seedlings in order to encourage branch growth but avocados tend to grow really slowly so some are understandably hesitant to do so. Please note that avocados, much like native tropical plants, need plenty of sunlight.

Mango- Mango seeds are germinated the same way as avocados. Simply scrub the mango seeds and dry them after eating. Once they are dry, it is easier to cut them open to release the seeds inside the shell. Use scissors to do this.

The problem with mangoes is that they tend to be very sensitive and will develop fungal disease, in my case anthracnose, which causes the tips and up to half of the leaves to turn brown. Apparently, mangoes will get sick when it’s either too dry or too humid, or if it is watered to much. It is a very finicky plant. When this happens, use copper-based fungicide to fight the infection. Absent of that, try not to water too much, especially the leaves. Also, trim off infected parts of the leaves with clean scissors. I disinfect the trimmed parts with hydrogen peroxide.

Kumquat- I have not grown any other citrus fruits other than the kumquat. I would like to grow calamansi, but the fruit is very difficult to find in the country. Also, compared to oranges and lemons, kumquats have small fruit and leaves, which make them ideal to be kept in small places.

Kumquats will have several seeds per fruit. A small pack of kumquat could easily yield a person over a hundred seeds. Gather the seeds, rinse them and place them between a moist paper towel, then seal it in a plastic bag. Like apples and persimmons, keep the plastic bag in a warm place. Check the bag once a week for molds, rinse, then continue keeping the seeds warm. They should be ready to plant within three weeks.

Out of all of the fruits I planted, kumquats appear to be the most willing to grow. Most, if not all of the seeds have grown into seedlings, with some seeds splitting to become one, two, or even three plants. The only problem I’ve encountered is that I ended up with too many kumquat seedlings, too many to give away, and that’s an excellent problem to have.

Mangosteen- Mangosteens, the queen of fruits, is very difficult to grow. I’ve tried several times now with no success. It’s an experimental process at the moment. I’ve planted them directly in soil, put them in a moist paper towel, kept them cold, and kept them warm. Roots simply will now grow out of their seeds. I read that because mangosteens harbor fruit flies, the fruit is irradiated to kill insects before they are packed and sent overseas. Unfortunately, this process also kills the seed inside.

I’ve been trying to get mangosteens to grow in hopes that the seed I got were from fruit that somehow escaped the irradiation process. It would appear that so far, the irradiation process is airtight. Mangosteens are uniquely delicious with their tangy sweetness. Unfortunately, they seem to be the opposite of kumquats. They arrive to me dead and are impossible to grow.

Artist

 

Joseph Reyes

 

July 2


When I was training as an artist, I had my heart set on being a sculptor. My first professor was very encouraging. He taught me how to weld and work with steel. I didn’t have much money back then, but he allowed me to make pieces out of the scraps we had in the sculpture studio. I really enjoyed making small pieces of metal art. I was often in the sculpture building early in the morning hammering and shaping steel like a prairie anachronism.

Come second year, I had a different sculpture professor, Gordon Reeve. I didn’t like him one bit. He wasn’t shy in showing his favoritism to a couple of the female students. He tends to be quite cliquey with the thesis students as well. Suddenly, it was like high school all over again. Only the professor was one of the asshole kids, and I have to prove my worth to him. Instead of challenging me, I was uninspired. The only thing I learned from him is that when showing your works during a review, make sure to have good lighting and environment. Get ready to amp up the bullshit. If the only thing a student learns is how to sell works instead of how to make good art, then the 120 hr program was a waste. Maybe it was me, maybe it was him. I say it was him.

Fast forward a few years later and I learned that he was commissioned by the city to create a sculpture in Assiniboine Park. This was a park near my old high school. I used to go there all the time. I would eat lunch there, take a walk, visit the zoo, or enjoy the Leo Mol sculpture garden (Leo Mol was a Ukranian-Canadian sculptor, superior to Gordon Reeves.). Reeves already had several public sculptures in the city. This one however, was the worst. Named ‘Agassiz Ice,’ it’s a set of aluminum sculptures modeled after a glacier in Nunavut. In the grandest of imagination, they would be imposing structures conveying the relentless force of time and nature. Instead, the city got a set of humble figures which look like aluminum sheets the size of a couple of minivans.

I was upset about it. Not only was I hearing about Gordon Reeve again, but I was terribly unimpressed at how the city spends its money on public art. The piece looks like any mediocre government-mandated corporate art in front of buildings here in Seoul. They could’ve used that money to fund other art programs instead. Heck, they could’ve used that money to fund better artwork. It’s illegal, but I had half a mind to have taggers paint a price tag on it, making the piece mine, much in the same vein as Marcel Duchamp. But I also wanted to send a message to viewers as to how much the city was spending on mediocrity. I mean, Google it yourself. Doesn’t that sculpture look like any sculpture one would find prior to entering a golf course? Anyway, I was convinced by artist friends that it was a bad idea. And since they’re the ones who have to put up with it and I just simply have to not read any news about Winnipeg for a while, I decided not to commit any act of vandalism.

But why am I writing about Gordon Reeve and Agassiz Ice? I just thought about them because recently, I had to explain one of the cultural ‘attractions’ in my hometown, the Canada Museum for Human Rights, a $350 million project sitting in the heart of downtown Winnipeg. It is a museum designed to educate visitors about the sufferings in the world. If the news and the Internet is not enough for you, then drive over to downtown Winnipeg and learn about all of the atrocities in the world! Ironically, from its creation, it was rife with controversy. Not only was it built in Indian sacred ground, the inclusion of what was to be exhibited has turned into a suffering Olympics among the city’s different cultural groups. Not to mention, it doesn’t even include the current Israel/Palestinian conflict. That’s our cultural attraction, folks. A museum built to either infuriate or depress visitors.

So yeah, that’s what bugs me about my hometown sometimes. We spend so much money on things that don’t make anyone happy. So much money on grand visions that end up either being incredibly mediocre or simply a headache. It’s not cultural, but for less than what they spent, they could’ve built the largest indoor water park in the Western Provinces. That would’ve at least brought in some tourists into the city. I mean, seriously? Outside of school field trips, who will drive to Winnipeg to get depressed? 

June 24


Section 230 of the Communications Decency Act, also known as CDA 230, protects Web sites like Facebook or Twitter from liabilities which may be imposed due to third-party contents. So if a Facebook user promoted hate speech or whatever, Facebook as a company will not be held liable for promoting the hate speech, only the one who posted it is liable for it. Simply put, websites are not responsible if their users violate criminal or property law.

A law signed by Donald Trump two years ago poked holes into the protection CDA 230 provides. FOSTA (Fight Online Sex Trafficking Act) and SESTA (Stop Enabling Sex Trafficking Act) create an exception to CDA 230. Web sites are now liable for prosecution should their users promote sexual services. Advocates of the law have always looked at the worst case scenarios to push the law through, child sexual trafficking, but it ignores the fact that many sexual workers freely operate on the Internet, seeing it as a more secure avenue to ply their trade instead of going underground or on the street.

FOSTA and SESTA has not made the Internet safer for children. The laws simply haven’t. Just recently, a group of Korean teenagers were arrested for operating a Web site that trades, promotes, manufactures, and distributes child pornography. They were able to function for a time even with the laws already in effect. And they were the ones that were caught. Who knows if there are other operators out there currently distributing and manufacturing illegal material? The point is, the laws have just made it more complicated to operate such sites, but it hasn’t eliminated them. If anything, it just made sex work less safe for those who are willingly working in the sex industry. See, pedophilia and child pornography are already crimes. FOSTA and SESTA just makes criminals out of Web site operators and sex workers who have nothing to do with endangering minors. And really, if legislators are really serious about stopping criminals, they would criminalize bitcoins and all forms of cryptocurrency altogether. But you know they won’t.

But this rant is not about FOSTA and SESTA. It is about Facebook. I was just watching Joe Scarborough (I know, I know) rant about how Facebook is openly profiting from hate groups, harassment, and undermining democracy. Mark Zuckerberg does not care that his Web site has become an open market for false information. They were warned prior to the 2016 elections that their site was going to be used to undermine the elections and they were more upset at the people who raised the alarm. Fast forward to 2020, and Facebook is pushing ads on sites that push conspiracy theories and thinly-veiled (if at all) bigotry.

FOSTA and SESTA pierced CDA 230 in order to ineffectively protect children. It is very difficult to go against such legislation, because really, who isn’t against child sex crimes? But if anything was to greater than the love for freedom of speech, it’s the discomfort of people towards sex. This, I believe, is why FOSTA and SESTA were able to pass and why craigslist and backpage.com are no longer able to have people advertising sexual services. It’s not about protecting children. You can talk freely all you want, but once it’s about sex, then legislators are more willing to clamp down on your rights.

So many things that Facebook is allowed to do under the protection of CDA 230 is openly harming people including children. Disinformation over vaccines and COVID-19 is endangering the lives of people. Freely allowing hate groups to operate on the site has led to not only harmful government actions like caging migrant children, but also a rise in hate crimes. Child sexual abuse is bad, but it’s not a suffering Olympics. Other forms of suffering can be just as bad and they are allowed to continue simply because they don’t have the ickiness of sex. One could argue that profiting from undermining democracy is treasonous and is right up there with inadvertently promoting pedophilia.

So what am I saying other than Mark Zuckerberg and Facebook are garbage and that FOSTA and SESTA are dangerous pieces of law? I’m saying if legislators could find limitations to the umbrella of protection that CDA 230 provides, they should be able to do so with other offenses. Either that, or just go back to 2016 and make the Internet safer for sex workers. I’m also saying Mark Zuckerberg is a soulless creature that would gladly sell out his country and his neighbors to make a dollar. He won’t even police his own Web site. No patriots exist in the Facebook executive board. If you’re not using Facebook solely to for its Messenger app (because your relatives simply won’t get off it and find alternatives to messaging you), you should delete it. It would be better for you and for everyone. Go read a real newspaper. 

June 8


I don’t mind when celebrities later on in their career fancy themselves as artists and try to take up painting or photography. What gets to me is when they rely more on their celebrity status and the art they create and sell is clearly BS. I remember Richard Grieco, an actor who was famous in the 80s, had an art show with works clearly inspired if not poor copies of Pollock’s work. When asked about Pollock, he denied ever being inspired by him. Ugh. What a hack! Shows like these with garbage art amount to nothing more than expensive autograph sales.

Now back to 2016, there’s a story about a Korean singer-turned-artist who was charged with fraud. Cho Youngnam was “indicted of fraudulently selling artwork with his signature on it after having other people create most of the work and “doing only a small portion himself.” He was accused of paying a man surnamed Song to paint 21 pieces from 2011 to 2015, 17 of which he sold for a total of 153 million won ($126,000).”

Cho claimed that it was common in the art world to have artists hire assistants to create most of the work. Initially, the court found that it was fraudulent for Cho not to divulge that his paintings were mostly done by his assistant. But then a higher court reversed the decision and proclaimed that buyers don’t need to know that the works were made with the assistance of another person, and the fact that there was an assistant was not an essential information in the sale.

A public plea session was held and it’s upsetting to hear Cho’s side argue that it’s customary for artists to have assistants do most of the work. For one, it’s not common. Second, their argument showed a lack of knowledge of art history or perhaps relied on the general public’s lack of knowledge of art history.

They cited artist Marcel Duchamp’s ‘Fountain’ which was a simple store-bought urinal. The only thing the artist contributed was it’s positioning and the fact that Duchamp signed it. Duchamp was a pioneer of the Dada movement which used found objects in creating art. It was no secret that he was using objects he didn’t manufacture himself. Instead, he manipulated them and gave them new forms. ‘Fountain’ was created as a form of mockery of the Society of Independent Artist’s rule which accepted all works of art as long as the artist paid a fee. And honestly, looking at the number of pay-to-play galleries in Seoul. “Fountain” would serve as a biting critic of how the art world is, particularly in deciding who gets to have a show or not.

Cho was not making any statement regarding the material nor the process of his work. The fact that 90% of the work was done by a more skilled assistant was not part the work’s story. If Duchamp acted like Cho, Duchamp would have pretended to have moulded the urinal himself. It was a ridiculous comparison. If Cho wants to position himself as someone who thinks up concepts and hires other artists to fulfill his vision, he could very well have done that. Doris Salcedo is a famous installation artist who uses furniture. She famously stacked hundreds of chairs in an alley in her piece ‘Istanbul.’ She didn’t build all of the furniture herself, nor did she stack all of the chairs by her lonesome. Cho could’ve started out by doing the same. Instead, he marketed himself as a singer who found he had talent painting. He didn’t market himself as a singer who had ideas for paintings other more talented people could paint.

I grant that artists will have assistants and apprentices. One of my favorite sculptors is Camille Claudel, who was the student, mistress, and assistant to Rodin. Some may speculate that some of Rodin’s famous works have Claudel’s hand in them, but it is undeniable that even before Caludel, Rodin was already a known genius. Also, both artists shone as separate great artists, though Rodin’s shadow loomed large over Claudel. Cho is no Rodin. He is a rich singer who found a hobby.

I haven’t read the book in the article, Aesthetics Scandal, but I want to look at the pull quote, “The manner of conduct that the Korean art world showed during the process was regrettable. They provided the wrong information to the judiciaries for the first hearing. Saying that physical execution is crucial to art, that authorship lies in the skills of the execution, that fine art does not use assistants, that one is only allowed to use an assistant when the process of the work takes the theme as a meta experiment […] All pieces of wrong information that stemmed from a lack of understanding of contemporary art were used as evidence for the first court’s ruling. The art world is in need of self-reflection and introspection.”

I agree, there is so much nuance to art that it is unwise to say make sweeping rules regarding authorship. However, when it comes to law, defining fraud is much clearer. In Canada, “Every one who, by deceit, falsehood or other fraudulent means, whether or not it is a false pretence… defrauds the public or any person, whether ascertained or not, of any property, money or valuable security or any service” commits fraud. How were the pieces sold? What was Cho’s compelling story regarding finding a new passion in visual art? Did he say he discovered he had a knack for painting of did he say he had a knack for coming up with ideas for his assistant to paint? Isn’t this just a visual arts version of Millie Vanilli? Someone else sang and recorded the songs, while two guys lip-synced and danced to them. For Cho, someone else did most of the hard work, while he painted a few corners and acted like an artist.