Qwerty Magazine, an English literary journal from the University of New Brunswick recently included my works in their fall/winter issue. I’m very pleased with how it turned out. Ever since university, I always thought that my works don’t really fit well in a gallery setting. The images are too small and it requires a more intimate inspection than what is normally done in a gallery visit. This is why I had my first collection of works published shortly after graduating.
Anyway, a big thank you to Qwerty for including me. In these coronavirus times, people are canceling art openings and many galleries are struggling. There really is no good reason to be gathering with a big group of people, unless it’s for a vital cause. Looking at art and consuming free wine and cheese is hardly something one should risk getting the coronavirus for. This is why it’s good to have alternatives to showing my art, be it online or publications. Now, it can be more difficult selling works online as opposed to directly meeting with people in galleries, but I was never really big on selling my art anyway.
I don’t really care if people buy them. You see them, you enjoy them… I’m content.
I have come to a hard epiphany though, and it’s not just me, many gallery owners I know have come to realize this as well: we have to improve our Internet game. Outside of Instagram, I don’t really have much exposure online in regards to my works. And I haven’t even really been that active one Instagram until about a year and a half ago. I’m not really set up for online sales, and people who are interested in my works have to go through a prolonged, archaic process of getting money transferred.
Many galleries are similar. They don’t really have a platform for promoting artists’ works online. They are simply there to provide a space in the real world to show works. Here, like many others in Canada as well, they rely on the artists to bring their own people to the gallery, people already familiar with the artist. They don’t have their own community of art lovers independent of the current artist showing their works.
Once the physical gallery is taken away, like for example because of the coronavirus, there is very little incentive for artists to get involved with many galleries since they don’t have a platform to launch the artist out to the greater art community. Artists would be better off marketing their works themselves since they might have the same digital clout, if not bigger, than many galleries. Galleries, much like artists, need to improve their Internet game and build a robust network which can promote artists outside of the physical gallery. And that’s the biggest change right there, they need to promote the artists, not really on people who already know the artist to bring digital and physical traffic. It’s not enough just to provide physical space. Otherwise, they would become less relevant as time goes by.
So I wanted to book an appointment with my dermatologist, and BOOM, right there, instant racism!
“Sorry, sir, but it’s difficult to make appointments with foreigners right now. I know you’ve visited us before but because of the coronavirus, we are not allowing foreigners in the clinic.”
Now, the clinic I go to is often filled with children and it appears that they are dealing with various forms of eczema, which is quite common in the country. I imagine the clinic’s hesitation with having foreigners in the clinic is to alleviate parents’ worries who might be harboring some prejudice regarding foreigners, thinking that they are infected with the coronavirus. They don’t want to risk being in a room with a foreigner because, “you never know.” Or maybe that’s just the clinic being xenophobic on their behalf.
I am a Canadian in South Korea. The clinic knows this. I also spoke with a clear North American accent. It is very ironic that the country which is currently being shunned by most of the world due to fears of the coronavirus somehow finds a way to shun foreigners who found a way to stay and live in country despite the widespread fear and paranoia. Now, I understand the sentiment and the situation. This is not my first experience being subject to institutionalized xenophobia in the country, so I’m not about to raise Cain. It’s just that it’s always amusing whenever I encounter it. It’s like seeing a strange but somewhat familiar-looking animal... an animal which happens to stink.
See with this virus, there’s enough xenophobia for everyone to go around. First there’s the prejudice against the Chinese. “Oh they eat bats and other strange animals.” Then there’s the prejudice against Koreans. The Japanese government are now trying to paint Koreans as particularly risky potential carriers of the disease. They’ve canceled Korean visas and are now forcing visitors to go on 2-week quarantines. But while Koreans can complain about being victims, they are also trafficking with their own prejudices, prejudices which kept me from getting a prescription of pimple cream a few minutes ago.
I can only imagine how it is right now with Iranians in the US or with Italians in Europe. Actually, I don’t think think Italians would be subjected to much prejudice anywhere despite them now being the second country worst hit by the disease (That is officially with testing. Compared with countries who don’t test, who knows?!). Let’s be honest, Italians are white. This day and age, the image of disease vectors is a prejudice exclusive only to visible minorities.
Oh and about the disease, people are still on high alert despite the rate of infection going down in the past couple of days. Some politicians are cautiously optimistic that the worst is over, as long as there’s no resurgence in other parts of the country. I hope so, too. This heightened paranoia is not doing my skin any good. Add to that the economic anxiety brought about by the stock market crashing this morning and I’m about to break out like a fourteen year-old kid.
I was done worrying about the coronavirus. I was done. Dammit, this thing has been on my radar since January, and I was done. Granted, I haven’t really been too worried about it until there was a resurgence in South Korea after Valentine’s Day, but the fact that my office is still responding to calls from customers, re-scheduling, informing them about the virus, has got me tired. I’m tired of worrying about my health, about people’s health, about my job, about other people’s jobs. This constant atmosphere of high alert, it’s stressful. It’s like we’re witnessing another global historic event that will affect the way we do things, much like Sept. 11, except this one is dragging along through the year.
Last Friday, I went out with some friends. I think because of the sudden drop in temperature, I got a bit of a cold over the weekend, but I’m almost over it. I usually get really bad colds about twice or three times a year, but this one wasn’t too bad. Still, it didn’t stop me from being overly anxious about it. “Do I have it? Is this it? If Tom Hanks has it, then maybe I have it, too! After all, cases of infection have been documented around the neighborhood I work in. Am I endangering everyone right now? Am I going to be Internet famous as the Canadian guy who got everyone in his office sick?”
Korea’s doing well right now. It’s not quite like Singapore, but it appears that the government has got the whole thing under control. The infection rate has gone way down, and more people are recovering from the disease in comparison. People everywhere are still wearing masks, and we are constantly getting updates on television and online regarding the disease.
The problem is now that Korea and China are on their way to out of the coronavirus hole, the rest of the world is just experiencing the brunt of the disease. Looking at the numbers, Spain and Italy have gone past Korea in terms of infections. Germany, France, and the US appear to be catching up within a week’s time. These countries didn’t take the virus seriously. Just a couple of days ago, people were out celebrating St. Patrick’s Day, crowding bars and restaurants, despite news of the pandemic being ubiquitous.
Quite frankly, I think the reason why the rest of the world didn’t take it seriously for so long is because the initial victims were Asians. I suspect western countries saw it as a foreign matter. “It couldn’t happen here!” When WHO declared the coronavirus a global health emergency in January, they explicitly said it was not because of the tremendous number of infected people in China at the time but the few numbers of infected people in other countries. When the disease exploded in Iran, I don’t think people took that too seriously as well. The world has gotten too used to seeing dead Muslims. The WHO didn’t declare the disease a pandemic until the number of infected Europeans starting rising dramatically. That was March 11. Korea was already in the middle of getting the virus under control.
I think Japan is in denial as well regarding their strategy of suppressing their infection numbers by not testing as many people as they should. “It’s not a Japan problem. It’s a problem with other countries.” I realize it has a lot to do with politics as well as trying to keep the Olympics. But even if Japan looks good on paper regarding their infection rates, the rest of the world won’t be able to participate in the Olympics if they are dealing with the coronavirus come July. Just cancel the Olympics already!
So if Korea’s starting to look fine and the rest of world isn’t, why am I stressing about it? I’ll be okay, right? Well, not really. I have friends and family overseas. Aside from that, I worry personally about the economy. People are already predicting a recession in the US, and I can only imagine how that would affect the rest of the world. How would that affect the company I work for? Fear of the disease and self-isolation has already affected many of the industries here in Korea, particularly restaurants, bars, saunas, and gyms. But all of that, couple with the global economy is bound to affect me at some point. Whether I’ll still have a job next month or if my contract will be renewed at the end of the year worries me.
And even though there are good signs in the country, the constant flood of distressing news from abroad is stressful. I love Twitter, but right now, most everything on Twitter is about how Americans and Europeans are totally dropping the ball in responding to this pandemic. This is really the worst time to elect a failed casino owner as the leader of the free world. I wish I could insulate myself and just ignore all of the news out there. But when I look at some of my art friends who are oblivious to what’s happening, just going about their merry way, I get frustrated as well.
And speaking of art (this is still an art Web site), I haven’t stopped making art. However, I stopped looking for art shows to apply to. I imagine galleries are suffering at the moment. Who wants to attend an art opening right now? Same goes for theater productions. Luckily, there’s plenty of opportunity to get my work seen online.
A few things about new life online:
I used to look down at the University of Phoenix and all of these diploma mills which have completely online education programs. It would appear that I was being dumb, especially now that most educational institutions have moved all of their curriculum online. What’s going to be challenging, and one that I’m trying to figure out myself, is how these programs will be dealing with testing and evaluation. Of course, some fields by their nature can be very easily adapted to distance testing be it through a timed online test or via long-form mail-in essays, but how about others? In any case, more people are going to have to be creative trying to come up with ways to educate and test outside of the classroom, and I’m trying to figure out how to basically make testing some skills cheat-proof despite the distance (part of my real job). It’ll be interesting to see how other people approach this problem.
Speaking of prematurely looking down on things. I remember Howard Stern looking down on podcasts and Youtube broadcasts. But now it seems everyone has no choice bu to adapt to Youtube broadcasting now that it’s not advisable to be in television or radio studios. Big names like Stephen Colbert and Seth Myers are working out the kinks to broadcasting at home and they have this sort of guerrilla amateurish vibe to them compared to longtime Youtube broadcasters. I’m not saying that Youtubers are looking to be the more superior form of broadcasters in these coronavirus times. Howard Stern, despite being at home, still managed to replicate the vibe he got from broadcasting in his old studio, complete with all of his staff working from their homes. The late night shows still come out pretty clever and entertaining. So how do these shows manage to do better in my opinion? It’s the writing. They actually have talented writers working hard on them. I don’t want to generalize, but many Youtube shows rely on one gimmick or simply run on the personality of the Youtuber. The ones that are actually good would have proper editors, writers, and producers.
And so now that most education and entertainment is now online. Doesn’t that make Internet connection a basic necessity?
I wonder how apps like Tinder and Grindr are doing these days. Early last year, Tinder began marketing heavily in South Korea. They’ve been in the country for a while but since last year, they began pushing it as a means to find friends of similar interests, not as a hook-up app. But now that everyone is social distancing even in South Korea where the coronavirus is starting to be under control, I can’t imagine people using it too much. And speaking of hooking up, what about people who normally hook up with people? I wonder how they are doing these days. Thinking of all the polygamists, open-relationship havers, and lotharios out there.
I myself have been more active online recently than usual. I don’t normally go out and meet people to socialize prior to the coronavirus pandemic, so I guess I’ve adjust better than most people. I’ve trained myself to be a curmudgeon at a young age and it’s paying off in spades. In any case, Instagram and Twitter are getting quite a workout. There’s family on Facebook, but it’s weird cause I imagine everyone would be just like me now, living like an expat separated from others, whose only connection to friends and family is online. Ignoring people on Facebook or any platform online would be truly, TRULY ignoring them.
Netflix was just introduced to South Korea last November. Whoever brokered that deal must feel like a prophetic genius. I worry about TV shows, movies, and media in general though. We already don’t have sports. At some point, if this keeps up, we’ll be running out of new movies and shows in the hopper. I’m already watching shows I normally would’ve skipped. Even the production of big studio pornography would be in danger. Most would probably be home cams and independent productions.
Online forums can be the most depressing place one can visit. There’s Twitter and its cynicism, but online forums, especially with expats in the country can be especially depressing. I don’t recommend it. If you’re thinking of going online to find people in similar circumstances, don’t do it. It’s just going to get you more depressed. Find stuff to be outraged with online. That’s more helpful than being depressed.
Trump and many conservatives recently predicted that the economic fallout caused by the coronavirus pandemic would cause people to want to commit suicide. Just last week, many conservative pundits online have been somewhat suggesting that the death of senior citizens would be preferable than a recession. Ghoulish. Well, since South Korea is basically a month into the future in terms of the virus and suicide rates have been traditionally high in the country, I decided to look at the numbers. In 2019, Koreans have been lamenting that the lackluster economy has been driving people to commit suicide, with the rate being 24.6 per 100,000 in 2016 and expected to grow further. Well, it’s now 2020. The economy hasn’t gotten much better and the coronavirus has made things much worse. The suicide rate in South Korea is somewhere around 26.9 per 100,000. It’s not really that high an increase, in my opinion. I still feel incredibly depressed and each day is a repetitive nightmare of meaningless routines, but I don’t feel any worse than usual.
Thank God for some good long video games coming this month. Unfortunately, while many of them are online, I notice that not many video games being released recently (or these days) are designed to be played couch co-op. They’re either one player games or games to be played with several people online, just not the person you happen to be in the house with. How is a person supposed to bond with people they are quarantined with? Tsk tsk. Seems like a missed opportunity in the apocalypse.